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DTSTART;TZID=Europe/London:20260523T103000
DTEND;TZID=Europe/London:20260523T163000
DTSTAMP:20260709T051619
CREATED:20251126T145247Z
LAST-MODIFIED:20251126T150536Z
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SUMMARY:Painting Skyscapes in Oils with Mark Stopforth
DESCRIPTION:An introduction to Skyscapes in oils on paper using Alla Prima techniques\, relying on intuitive mark making to create emotive skyscapes. Throughout the day there will be the opportunity to experience a wide range of techniques that include washes\, blends\, stippling\, scumbling and lifting. \nContextual studies will include looking at the work of Turner\, Whistler and Caspar David Friedrich along with a host of other artists known for working in the tradition of the Sublime. \nThis workshop is for artists who have some experience of painting in oils (intermediate)\, not suitable for complete novices. \nAbout the tutor: \nMark Stopforth is an artist specialising in oils and more specifically in Alla Prima techniques. His work finds inspiration from the Romantic and the Sublime Art of the past but given a contemporary feel. Mark has exhibited work both in the UK and abroad. He is currently represented by The Paragon Gallery\, Cheltenham\, Galerie Rollin\, Rouen and Immobilium Art\, Beverly Hills. Mark is  also a published author “Alla Prima Skies and Seas” \nTo view more of Mark’s work visit: www.markstopforth.co.uk \nThe workshop will at Willersey Village Hall 5 minutes drive from Broadway village. There is ample free parking onsite. \nTickets £100 (Limited to 13 places) \nTickets go on sale through the website at 10am on Monday 26th January & 1 week earlier for benefactors of the festival who benefit from priority booking. \nMaterials List: \n\nPencil/s\nPaper: Mark recommends Fabriano Academia smooth. Cartridge paper that is smooth with a gms of 200 and above is just as good\nKitchen towel paper x 2 rolls\nWhite spirit (low odour)\nGloves (disposable)\nOil paints: Mark suggests the following colours: Prussian blue\, Cobalt blue\, Yellow ochre\, Black\, Titanium White\, Green\, Pink\, Flesh tone pink plus any others that you have\nBrushes: A small range of brushes from small to medium for detailing and blending\nBring some old brushes for stippling\nSmall bowl for white spirit\nMasking tape\n\nWould you like to buy a Broadway Arts Festival apron to wear at the workshop? If so\, just add it to your order for £20 and it will be available for collection at your workshop. \n \n  \nTutor Mark Stopforth \n \n 
URL:https://broadwayartsfestival.com/event/skyscapes-workshop-mark-stopforth/
LOCATION:Willersey Village Hall\, Main Street\, Willersey\, WR12 7PJ
CATEGORIES:Workshops
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260417T103000
DTEND;TZID=Europe/London:20260418T163000
DTSTAMP:20260709T051619
CREATED:20251101T125439Z
LAST-MODIFIED:20260410T085714Z
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SUMMARY:Classical Alla Prima Portraits from Live Models with Peter Keegan
DESCRIPTION:A 2 day portraiture oils workshop with professional artist & tutor\, Peter Keegan. \nWorking from 2 live models and inspired by the painterly approach to oil portrait painting used by great artists such as John Singer Sargent\, who famously painted Carnation\, Lily\, Lily\, Rose in Broadway\, Peter will guide and demonstrate the artistic principles and practices used by Sargent. \nWorking Alla Prima (wet-into-wet with oils) you will discuss and learn the importance of a tonal palette and how fully understanding tonal values will aid you in capturing the true form of the head. \nWorking from live models you will explore: \n\nExploring the face though form\, shape and value rather than reliance on a tight underdrawing\nPainterly mark-making and the bravura brush stroke\nGetting the most out of a limited palette and which brushes the great artists used\nAchieving both a likeness and (more importantly) the character of the model\nDetails – when to add them and where to leave them out\n\nThis course is ideal for those painters who are: \n\nLooking to deepen their understanding of traditional Alla Prima oil painting\nInterested in experiencing painting from live models\nWishing to explore the methods and ideas used by some of the great portraitists of the past\nLooking to move away from working tightly\nWishing to achieve a greater understanding of tonal values and a limited palette\nWhen to use painting mediums such as linseed oil and when to leave them alone\n\nThis 2 day course is suitable for painters with some experience of portrait painting in oils and is not suitable for the complete beginner. \nBy the end of the 2 days\, artists will have completed (or near completed) a single head and shoulders portrait. \nThe workshop will run from 10:30am-4:30pm on Friday 17th April and Saturday 18th April at the Lifford Hall in the centre of Broadway village. Please use village car parks. \nTickets £220 (Limited to 12 places) \n\nAbout the tutor: \n\n\nPeter Keegan is an award-winning artist and highly sought-after painting instructor known for his knowledgeable\, engaging and inspiring approach to teaching. \nHaving obtained a Fine Arts degree from Cardiff School of Art in South Wales\, Peter has gone on to exhibit his work in numerous established art institutions\, including the Royal Institute of Oil Painting\, The New English Art Club\, and the Royal Society of British Artists. He is an elected member of the Oxford and Buckinghamshire Art Societies. \nPeter was the first artist in residence at Aylesbury Waterside Theatre in Buckinghamshire in 2020\, where he captured the busy and colourful life of an operating theatre. The 13 paintings commissioned by the theatre are now in their permanent collection\, with the most prominent painting measuring 12 feet in height. \nAlongside Peter’s practice as an artist\, he is the founder and co-presenter of the popular podcast Ask an Artist\, where he shares his advice and knowledge on the business side of being a working artist and interviews fellow artists and industry experts. \nPeter is a brand ambassador for Rosemary & Co brushes and Michael Harding Oil paints\, some of the finest art materials in the world. Peter leads dozens of fully-booked courses\, workshops and holidays throughout the year. \nFor more information on Peter and his work\, please visit www.peterkeegan.com \n\nMaterials List:\n\nGround: Ready primed white canvas\, no smaller than 50x40cm \nPaints: Peter will be using Michael Harding Oils in the following colours (similar colours by different manufacturers are welcomed): White\, Yellow Ochre\, Scarlet Lake\, Ultramarine Blue\, Raw Umber\, Ivory Black\nBrushes: Suitable brushes for oil painting. Peter uses Rosemary & Co Hog brushes\, sizes 2-10. Peter will be selling oil brush sets on the day if you wish to purchase one. \nMediums: Low Odor/Odorless solvent. A little linseed oil.\nEasel: An appropriate standing easel\, suitable for the size of canvas.\nStudio Sundries: Paint palette\, palette knife\, rags/kitchen paper\, pot for medium\, painting apron\, pen and paper for note taking.\n\nWould you like to buy a Broadway Arts Festival apron to wear at the workshop? If so\, just add it to your order for £20 and it will be available for collection at your workshop. \n 
URL:https://broadwayartsfestival.com/event/classical-alla-prima-portraits-with-peter-keegan/
LOCATION:Lifford Hall\, Lower Green\, Broadway\, WR12 7BU\, United Kingdom
CATEGORIES:Workshops
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250611T100000
DTEND;TZID=Europe/London:20250612T160000
DTSTAMP:20260709T051619
CREATED:20241029T113211Z
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SUMMARY:Classical Alla Prima Portraits – The John Singer Sargent Approach with Peter Keegan
DESCRIPTION:A 2 day portraiture oils workshop with professional artist & tutor\, Peter Keegan. \nWorking from photographs and inspired by the painterly approach to oil portrait painting used by great artists such as John Singer Sargent\, who famously painted Carnation\, Lily\, Lily\, Rose in Broadway\, Peter will guide and demonstrate the artistic principles and practices used by Sargent. \nWorking Alla Prima (wet-into-wet with oils) you will discuss and learn the importance of a tonal palette and how fully understanding tonal values will aid you in capturing the true form of the head. \nWorking from photographs provided or using one of your own images you will explore: \n\nExploring the face though form\, shape and value rather than reliance on a tight underdrawing\nPainterly mark-making and the bravura brush stroke\nGetting the most out of a limited palette and which brushes the great artists used\nAchieving both a likeness and (more importantly) the character of the model\nDetails – when to add them and where to leave them out\n\nThis course is ideal for those painters who are: \n\nLooking to deepen their understanding of traditional Alla Prima oil painting\nWishing to explore the methods and ideas used by some of the great portraitists of the past\nLooking to move away from working tightly\nWishing to achieve a greater understanding of tonal values and a limited palette\nWhen to use painting mediums such as linseed oil and when to leave them alone\n\nThis 2 day course is suitable for painters with some experience of portrait painting in oils and is not suitable for the complete beginner. \nBy the end of the 2 days\, artists will have completed (or near completed) a single head and shoulders portrait. \nThe workshop will run from 10am-4pm on Wednesday 11th June and 10am-4pm on Thursday 12th June. \nTickets £220 (Limited to 12 places) \nDue to the intense interest in this event\, and to make it fair for all\, we are limiting the number of tickets any person can buy to two. If you buy more than two tickets for this event they will be refunded (less the booking fees) and put back up for sale. \nTickets go on sale through the website at 10am on 17th March. \n\nAbout the tutor: \n\n\nPeter Keegan is an award-winning artist and highly sought-after painting instructor known for his knowledgeable\, engaging and inspiring approach to teaching. \nHaving obtained a Fine Arts degree from Cardiff School of Art in South Wales\, Peter has gone on to exhibit his work in numerous established art institutions\, including the Royal Institute of Oil Painting\, The New English Art Club\, and the Royal Society of British Artists. He is an elected member of the Oxford and Buckinghamshire Art Societies. \nPeter was the first artist in residence at Aylesbury Waterside Theatre in Buckinghamshire in 2020\, where he captured the busy and colourful life of an operating theatre. The 13 paintings commissioned by the theatre are now in their permanent collection\, with the most prominent painting measuring 12 feet in height. \nAlongside Peter’s practice as an artist\, he is the founder and co-presenter of the popular podcast Ask an Artist\, where he shares his advice and knowledge on the business side of being a working artist and interviews fellow artists and industry experts. \nPeter is a brand ambassador for Rosemary & Co brushes and Michael Harding Oil paints\, some of the finest art materials in the world. Peter leads dozens of fully-booked courses\, workshops and holidays throughout the year. \nFor more information on Peter and his work\, please visit www.peterkeegan.com \n\nMaterials List:\n\nGround: Ready primed white canvas\, no smaller than 50x40cm \nPaints: Peter will be using Michael Harding Oils in the following colours (similar colours by different manufacturers are welcomed): White\, Yellow Ochre\, Scarlet Lake\, Ultramarine Blue\, Raw Umber\, Ivory Black\nBrushes: Suitable brushes for oil painting. Peter uses Rosemary & Co Hog brushes\, sizes 2-10. Peter will be selling oil brush sets on the day if you wish to purchase one. \nMediums: Low Odor/Odorless solvent. A little linseed oil.\nEasel: An appropriate standing easel\, suitable for the size of canvas.\nStudio Sundries: Paint palette\, palette knife\, rags/kitchen paper\, pot for medium\, painting apron\, pen and paper for note taking.\nReference Image: Although excellent reference images will be available for you to work from\, if you would like to bring your own image\, please have it printed no smaller than A4 in size or on a tablet/iPad to paint from.\n\nWould you like to buy a Broadway Arts Festival apron to wear at the workshop? If so\, just add it to your order for £20 and it will be available for collection at your workshop. \nImages from Peter’s workshop in 2024
URL:https://broadwayartsfestival.com/event/classical-alla-prima-portraits-the-john-singer-sargent-approach-with-peter-keegan-2/
LOCATION:Lifford Hall\, Lower Green\, Broadway\, WR12 7BU\, United Kingdom
CATEGORIES:Workshops
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ORGANIZER;CN="Karen Lacey":MAILTO:workshops@broadwayartsfestival.com
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20250609T100000
DTEND;TZID=Europe/London:20250610T160000
DTSTAMP:20260709T051619
CREATED:20241105T105321Z
LAST-MODIFIED:20250608T213706Z
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SUMMARY:An Introduction to En Plein Air Painting with Roger Dellar ROI\, RSMA\, RI\, PS\, WGA
DESCRIPTION:For those who have some experience of painting in oils\, but have little or no experience of painting outdoors and always fancied having a go! \nRoger Dellar is a member of the ROI\, RSMA\, RI\, PS and the Wapping Group of Artists and is an extremely experienced tutor. \nOver this 2 day workshop\, you will cover oil painting techniques\, how to select a composition\, lay on the paint in an ‘alla prima’ approach and learn how to capture a painting in 1 – 2.5 hours. \nThere will be demonstrations of techniques as well as plenty of individual advice and guidance given. Participants can expect to achieve at least one completed painting\, as well as plenty of practice. \nThe workshop will take place both indoors at the Lifford Hall and outdoors around the very picturesque Cotswold village of Broadway. \nTickets £200 (15 Places) \nMaterials List \nYou will need to provide all of your own materials and kit. The following are suggested: \nOil Paints: Roger tends to use the following colours\, but if you have similar these will suffice: \n\nTitanium White\nCadmium Yellow Hue\nCadmium Yellow Pale\nCadmium Yellow Deep\nScarlet Lake\nPermanent Rose\nUltramarine blue\nCerulean Blue\nCobalt Blue Hue\nBurnt Sienna\n\nMediums: \nZEST IT as a flow medium for brush cleaning\, especially if going abroad as it has a high combustible rate when it should be in an unopened bottle and protected in hold luggage. \nThe medium I use is one third Robersons Damar Varnish\, one third Linseed oil and one third ZEST IT. \nBrushes: \n\nA selection of brushes suitable for painting in oils. Rosemary Brushes do a Roger Dellar bespoke selection including a classic fan brush (size 4)\, classic Shiraz rigger (size 4) and 5 Shiraz Long Flat bushes (sizes 1\,2\,4\,6 and 8)\nPalette knife (in a clean condition\, metal either oblong or spade\, not too small)\nShaper\n\nPainting Surfaces: \n\nRoger uses 2.5SBS Hardboard primed with Bob Ross (3 parts white and 1 part grey) Acrylic gesso. Boards are available from Wessex Pictures- cut to size.\nSizes suggested” 8” x 10”\, 12” x 12” and 12” x 16”\nYou can also purchase ready prepared canvas boards or panels from places like Jackson’s\n\nSuggested Extras: \n\nViewfinder\nTowelling rag\nEasel\, photographic tripod/pochade box\nCompact stool if you prefer to sit\nOblong palette (ideally 16” x12”) for mixing paint – tear off palette pages will also work\nSomething to carry wet oil panels (matchsticks can be pre-glued onto panels)\nSolvent container\nCap or hat to shade the sun
URL:https://broadwayartsfestival.com/event/an-introduction-to-en-plein-air-painting-with-roger-dellar-roi-rsma-ri-ps/
LOCATION:Lifford Hall\, Lower Green\, Broadway\, WR12 7BU\, United Kingdom
CATEGORIES:Workshops
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